The Farmhouse Portraits
I'm Thinking of Ending ThingsPhotographs, drawings, and a promised portrait destabilize the narrator’s understanding of Jake’s family and identity.
increasing
Bearing strength in each event
decreasing
A Wall of Old Images

A Wall of Old Images
Family history on display
The narrator studies old photographs and paintings in Jake’s family home. A childhood portrait said to show Jake looks unlike the man she knows.
Recognition turns uneasy
The image seems to resemble the narrator, creating a contradiction that cannot be dismissed as simple decoration. The house begins to feel like a place where identities overlap.
The Basement Images

The Basement Images
A hidden archive
The narrator finds a painting of the basement and many related drawings. Each depicts a long-haired figure and a child in changing, disturbing arrangements.
Images as allegory
The pictures suggest that the basement holds more than ordinary family storage. They make the house’s buried history feel symbolic, even as the narrator cannot identify its literal meaning.
Photographs Marked Us

Photographs Marked Us
Close views of bodies
The narrator opens an envelope labelled for togetherness and finds close-up photographs of body parts. Their subject and purpose remain uncertain.
Intimacy without context
The images turn the language of a couple into something unsettling. They suggest attention to physical details while withholding the mutual knowledge the narrator hopes a relationship can provide.
A Face in the Background

A Face in the Background
The photograph of Steph
The narrator studies a photograph of Steph and notices a man behind her, someone other than Jake. The image does not match Jake’s account of his past relationships.
A missing family fact
When asked, Jake suggests the man may be his brother, a detail the narrator has never heard before. The photograph opens a gap in the biography she thought she knew.
The Portrait’s Destination

The Portrait’s Destination
A delayed revelation
The folded painting from Jake’s mother is finally imagined as a portrait of the narrator and Jake together, fragmented into a shared face.
A symbolic ending
The image fuses identities rather than explaining them. It becomes an emblem of the imagined relationship that has occupied Jake’s story and cannot survive outside it.
Before dinner at the farmhouse
During the narrator’s exploration of the basement
After dinner in Jake’s bedroom
During the same bedroom exploration
At the novel’s close